Looking forward to learning from colleagues and presenting at Harvard Folklore & Mythology's Symposium this weekend! I'll be speaking on how expressive culture (aka folklore) was used by public educators during the 2018-2019 West Virginia Educators' Strike to bolster worker power, teach the public, and forge a new reality, and how those lessons still resonate today.
Thank you to Sarah Craycraft for the invitation and organizing work!
Learn more here
Grateful to Katie Myers for talking with me about visionary folklore and for amplifying the work other folklorists like Maida Owens and Kimi Eisele do in collaboration with cultural communities impacted by climate change.
Read the full article in Grist here
I'm pleased to share that my 2021 Archie Green Fellowship Occupational Folklife project Rural Free Delivery: Mail Carriers in Central Appalachia is now accessible via the Library of Congress.
The project documents the value of rural carriers to their communities and includes interviews with 25 rural mail carriers and clerks in Appalachian regions of Kentucky, West Virginia, North Carolina, Virginia, and Ohio, as well as photos of rural post offices.
There are also some choice videos of retired rural mail carrier, guitar maker, and National Heritage Fellow Wayne Henderson jamming with current rural carrier Brian Grim, and Merle Haggard's guitarist Redd Volkaert (I found that many rural mail carriers are also musicians).
Read more about the project in this interview on the American Folklife Center blog.
What comes to mind when you hear the word folklore? For many, probably Taylor Swift’s 2020 album. In actuality, the field encompasses traditional customs and art forms, practices that are preserved among a people, often passed down and around through word of mouth. Today, people across the world are more connected than ever, and as society changes and evolves, so does folklore. Join four working folklorists—Zoe van Buren (North Carolina Arts Council), Timothy Duffy (Music Maker Foundation), Katy Clune (Virginia Humanities), and Emily Hilliard (Mid Atlantic Arts)—for a discussion about the past, present, and future of folklore. As Zoe van Buren says “It’s very hard to define. If it were easy to define it wouldn’t be so powerful… tradition, folklife - these are not things, these are conversations.” Join the conversation on Tuesday May 3rd at 6pm Eastern and on Music Maker Foundation’s Facebook and YouTube channel following.
I'm so thrilled that the West Virginia Folklife Program's digital archives collection, The West Virginia Folklife Collection, is now accessible online to the general public and available for research via WVU Libraries at https://wvfolklife.lib.wvu.edu/.
The original, ongoing collection consists of over 2,500 items and constitutes a significant part of our work in folklife fieldwork and programs since November 2015.
Those items include unique primary source material such as field-recorded interviews and other audio recordings, transcriptions, photo and video documentation, ephemera, and some material objects documenting the vernacular culture, beliefs, occupational skills, and expressive culture of contemporary tradition bearers, folk and traditional artists, and cultural communities across West Virginia.
Collection highlights include documentation of the 2018 WV Teachers' Strike, UFCW Local 400 Kroger workers during COVID, the Scotts Run Museum and Trail community, foodways and community celebrations in the Swiss community of Helvetia, Summers County collector Jim Costa’s collection of 18th and 19th century farm tools and objects of rural life, and participants in the West Virginia Folklife Apprenticeship Program.
Learn more via the West Virginia Folklife Program