It’s an honor to receive the American Folklife Center’s 2026 Gerald E. and Corinne L. Parsons Fund Award for my research and future book project, “As I Roved Out: Jean Ritchie as Folk Musician, Folklorist, and Appalachian Advocate.” The award funds will support my research into the life and work of Kentucky folk musician, folklorist, and record label owner, Jean Ritchie, focusing specifically on her early years in New York City during the nascent folk revival, her work as a folklorist in Ireland, England and Scotland, and roles as a representative of and advocate for Appalachia and Appalachian culture.
Celebration of Women in Old-Time Music
Excited to be a part of this special weekend in Knoxville, hosted by the East Tennessee History Center and celebrating the contributions of women to American old-time music!
On Saturday March 7 at 2:30, we’ll be doing a live taping (our first!) of an episode with special guest Dr. Jessie Wilkerson on the late great songwriter and bluegrass musician Hazel Dickens.
Earlier that day at noon, I’ll be in conversation with the one and only Alice Gerrard about her new memoir, Custom Made Woman: A Life in Traditional Music, which I had the honor of blurbing.
All events are free and you can catch other great talks, concerts, and film screenings, and tour the Birthplace of Country Music Museum traveling exhibit “I’ve Endured: Women in Old-Time Music” throughout the weekend. More info here.
The Female Bob Dylan Podcast Featured on Bandcamp Daily
Bandcamp recently featured our new podcast The Female Bob Dylan and gave us the floor to pick and write a few words about some favorite albums on the platform. I chose Natalia Beylis’ Variations on a Sewing Machine, Cath and Phil Tyler’s The Ox and The Ax, Fawn Wood’s Kikāwiynaw, and Norma Tanega’s I’m the Sky: Studio and Demo Recordings, 1964-1971.
You can check Sophie and Sarah’s excellent picks, our blurbs about each, and Mariana Timony’s full write-up here.
Music Maker Foundation Hosts Conversation, What Is Folklore?
What comes to mind when you hear the word folklore? For many, probably Taylor Swift’s 2020 album. In actuality, the field encompasses traditional customs and art forms, practices that are preserved among a people, often passed down and around through word of mouth. Today, people across the world are more connected than ever, and as society changes and evolves, so does folklore. Join four working folklorists—Zoe van Buren (North Carolina Arts Council), Timothy Duffy (Music Maker Foundation), Katy Clune (Virginia Humanities), and Emily Hilliard (Mid Atlantic Arts)—for a discussion about the past, present, and future of folklore. As Zoe van Buren says “It’s very hard to define. If it were easy to define it wouldn’t be so powerful… tradition, folklife - these are not things, these are conversations.” Join the conversation on Tuesday May 3rd at 6pm Eastern and on Music Maker Foundation’s Facebook and YouTube channel following.
West Virginia Folklife Collection Now Online Via WVU Libraries
I'm so thrilled that the West Virginia Folklife Program's digital archives collection, The West Virginia Folklife Collection, is now accessible online to the general public and available for research via WVU Libraries at https://wvfolklife.lib.wvu.edu/.
The original, ongoing collection consists of over 2,500 items and constitutes a significant part of our work in folklife fieldwork and programs since November 2015.
Those items include unique primary source material such as field-recorded interviews and other audio recordings, transcriptions, photo and video documentation, ephemera, and some material objects documenting the vernacular culture, beliefs, occupational skills, and expressive culture of contemporary tradition bearers, folk and traditional artists, and cultural communities across West Virginia.
Collection highlights include documentation of the 2018 WV Teachers' Strike, UFCW Local 400 Kroger workers during COVID, the Scotts Run Museum and Trail community, foodways and community celebrations in the Swiss community of Helvetia, Summers County collector Jim Costa’s collection of 18th and 19th century farm tools and objects of rural life, and participants in the West Virginia Folklife Apprenticeship Program.
Learn more via the West Virginia Folklife Program