Looking forward to learning from colleagues and presenting at Harvard Folklore & Mythology's Symposium this weekend! I'll be speaking on how expressive culture (aka folklore) was used by public educators during the 2018-2019 West Virginia Educators' Strike to bolster worker power, teach the public, and forge a new reality, and how those lessons still resonate today.
Thank you to Sarah Craycraft for the invitation and organizing work!
Learn more here
Grateful to Katie Myers for talking with me about visionary folklore and for amplifying the work other folklorists like Maida Owens and Kimi Eisele do in collaboration with cultural communities impacted by climate change.
Read the full article in Grist here
Under the auspices of SPINSTER, I curated a foodways themed playlist for Smithsonian Folkways Recordings (my old employer and first favorite record label!). With thematic connections to SPINSTER's recent release, Measure, Pour & Mixtape: Music for Cooking, the playlist brings together food songs from across the Folkways catalog for a sonic meal of snap beans, potatoes, cornbread, pie, singing turkeys, and more, paired with blueberry wine and served by a well-tipped waitress.
I also love the graphic by D. Norsen Design, which evokes early Chez Panisse and Moosewood signage, and connects to my inspirational motto for the selections: "What if Les Blank soundtracked a (another) foodways film."
Listen to the playlist here.
I'm pleased to share that my 2021 Archie Green Fellowship Occupational Folklife project Rural Free Delivery: Mail Carriers in Central Appalachia is now accessible via the Library of Congress.
The project documents the value of rural carriers to their communities and includes interviews with 25 rural mail carriers and clerks in Appalachian regions of Kentucky, West Virginia, North Carolina, Virginia, and Ohio, as well as photos of rural post offices.
There are also some choice videos of retired rural mail carrier, guitar maker, and National Heritage Fellow Wayne Henderson jamming with current rural carrier Brian Grim, and Merle Haggard's guitarist Redd Volkaert (I found that many rural mail carriers are also musicians).
Read more about the project in this interview on the American Folklife Center blog.
I'm honored to be a part of this NTS Radio special broadcast celebrating 75 years of Folkways, a label I used to work for and one that is still near and dear to my heart.
I had the absolute pleasure of speaking with record producer, writer, artist manager, and performer Verna Gillis, who produced and/or recorded 16 albums for Folkways from 1976-1985. They range from field recordings of Haitan rara, women's music in Ghana, Kora music from Gambia, Comanche flute, and the musical ministry of a women-run Black Philadelphia church, among others.
We talked about her experience recording Don Cherry in Mammoth Cave (!), R. Murray Schafer and how his conception of the "soundscape" inspired her radio show and New York venue of the same name, her trusty Stellavox recorder, and a lot more.
Listen to our conversation here.
Special thanks to Smithsonian Folkways’ Jonathan Williger and Sophie Abramowitz for inviting me to participate.