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Emily Hilliard

Folklorist | Writer | Media Producer
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BlindAlfred.jpg

Review of Dust-to-Digital's Blind Alfred Reed: Appalachian Visionary

May 21, 2020

In 2006, during his Seeger Session Tour, Bruce Springsteen added an old song from the early days of the recording industry to his live sets. He kept only one original verse, adding his own to comment on the devastation of New Orleans by Hurricane Katrina and to critique President Bush (or “president bystander” as he calls him at one show) for his subsequent inaction. In 2013, British reggae band UB40 released a regrettable version of the same song on their new album, also taking lyrical liberties, in this instance to reflect concerns over the global financial crisis. That song, “How Can a Poor Man Stand Such Times and Live,” was composed in the Jazz Age by Southern West Virginia farmer and musician Blind Alfred Reed (1880–1956). It’s impossible to know how Reed—a deeply religious, lifelong Republican whose songs were heavily critical of capitalism—would feel about these subsequent versions, but he would undoubtedly be surprised by the song’s longevity. He recorded “How Can a Poor Man?” in New York on December 4, 1929, one week after the stock market crash. He would never record again.

Read on in the Journal of American Folklore

In Academic, Folklore, Music, West Virginia Tags review, Journal of American Folklore, folk music, West Virginia, folklore
PeggySeeger.jpg

Review of Peggy Seeger: A Life of Music, Love, and Politics by Jean R. Freedman

August 15, 2019

The first time ever I was struck by Peggy Seeger’s music was when I saw a video of her performing “The First Time Ever I Saw Your Face,” the song her husband Ewan MacColl wrote for her in 1957. In the video, Peggy is probably in her late 40s, wearing a pink t-shirt and jeans, her hair cut short in a curly pixie cut. She’s seated alone on a stage, picking arpeggios on a small parlor guitar. Her voice, like her presentation, is unadorned aside from her natural vibratro, ringing out with incredible clarity out into the dark auditorium. It’s stunning. While that performance is what initially piqued my interest in Seeger, Jean R. Freedman’s new biography, Peggy Seeger: A Life of Music, Love, and Politics, is what indulged and sustained my curiosity. The book, of interest to folk song scholars and fans of Seeger alike, offers an intimate and considered portrait, fully contextualized by Freedman’s background as an academic folklorist and informed by her thirty-year friendship with the folk singer, activist, and member of the legendary Seeger family.

Read on in the Journal of the Society for American Music

In Academic, Folklore, Music, Review, Cambridge University Pres Tags Journal of the Society for American Music, review, Peggy Seeger, folk music

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