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Emily Hilliard

Folklorist | Writer | Media Producer
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Review of Dust-to-Digital's Blind Alfred Reed: Appalachian Visionary

May 21, 2020

In 2006, during his Seeger Session Tour, Bruce Springsteen added an old song from the early days of the recording industry to his live sets. He kept only one original verse, adding his own to comment on the devastation of New Orleans by Hurricane Katrina and to critique President Bush (or “president bystander” as he calls him at one show) for his subsequent inaction. In 2013, British reggae band UB40 released a regrettable version of the same song on their new album, also taking lyrical liberties, in this instance to reflect concerns over the global financial crisis. That song, “How Can a Poor Man Stand Such Times and Live,” was composed in the Jazz Age by Southern West Virginia farmer and musician Blind Alfred Reed (1880–1956). It’s impossible to know how Reed—a deeply religious, lifelong Republican whose songs were heavily critical of capitalism—would feel about these subsequent versions, but he would undoubtedly be surprised by the song’s longevity. He recorded “How Can a Poor Man?” in New York on December 4, 1929, one week after the stock market crash. He would never record again.

Read on in the Journal of American Folklore

In Academic, Folklore, Music, West Virginia Tags review, Journal of American Folklore, folk music, West Virginia, folklore

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